“Have to Be Real: Cat’s Out of the Bag”

  • “Nan Nannan” is the heartbreak anthem for anyone who’s ever sent DoorDash, Cash App, or date money, only to find out you were playing backup the whole time. 🍯💔 Inspired by Alan Cavé’s Nannan, this track dives into the chaos of today’s “talking stage” culture.

    With a sad beat and a touch of South Florida lingo, the artist captures the pain of being played while keeping it real (and lowkey funny). This one’s for everyone who’s ever loved genuinely and got finessed. 💸😂

  • “Side Chick” is the cheekiest masterpiece of our generation 🇭🇹. 🎤 This song dives DEEP into the cultural complexities of relationships and infidelity in Haitian culture—because yes, even cheating has… rules? 😅

    It’s giving “respectful cheating” (whatever that means), as the artist struggles to set boundaries in a situationship that’s already completely off the rails. But don’t let the humor fool you—this is art. The song pays homage to 90s Haitian rap Creole vibes with subtle nods to the legendary King Posse, while Grimass steps in with his fire South Florida Haitian-American flow to remind us all that no matter where you’re from, relationships are complicated AF.

    It’s funny, it’s awkward, it’s touchy—but let’s be real, it’s real. Shoutout to Grimass for blessing this track with his perspective and talent. 🎙🔥

  • “Ou Lala (Rechinya)” is my anthem of self-acceptance, power, and turning haters into cry babies. 💪✨ It’s about that moment when you realize all the things people told you were too much—too loud, too bold, too unapologetically you—are actually your superpowers. And when I stepped into my magic, the people trying to dim my light couldn’t handle it. Suddenly, they’re crying louder than a toddler staring at a lougawou. 🍼😭
    The title comes from Haitian Creole slang for a cry baby (rechinya), and let’s just say my haters are giving Tet Kokoloenergy. (Shoutout to @boukmaneksperyans for that legendary 2002 track!) Just like their parody on corrupt politicians, this song is about reclaiming power, breaking free from those trying to control you, and realizing their cries are just proof that you’ve won. 🏆
    Musically, it’s a nod to Haitian roots and American rock because stepping outside the box is my thing. I don’t just break the mold—I rewrite the rules. Toussaint L’Ouverture energy. So, if you’ve ever been told you’re “too much,” this one’s for you. You’re not too much—you’re magic. ✨🔥

  • In “Sometimes I’m Cry (feat. Manny Solo), Paul gets real about the price of being different. 😢🎶 His DMs are drier than crackers, his antics have Kassandra giving him the side-eye, but he stays true to himself—because being different ain’t free. 💔🎤

    Manny Solo adds his soulful touch to this track, making it a bittersweet anthem for anyone who’s felt the sting of isolation for standing out. Yeah, it hurts, but after all, Paul’s no punk. 💪 It’s just the cost of the game.

What the EP Means to Me

This EP is more than just music—it’s a declaration of freedom. It’s about breaking the molds, challenging the expectations, and redefining what it means to be Haitian-American, an artist, and, most importantly, myself.

The Inspiration Behind the EP

As a Haitian-American content creator, identity is paramount. Growing up, I felt the weight of proving my identity—not just to the outside world but to my own community. Haitians are a tight-knit group, often misunderstood or rejected by the rest of the world. But the thought of being rejected by your own people? That’s terrifying.

When I started expressing myself in ways that didn’t fit the traditional mold of what it means to be “Haitian,” I felt this pressure even more. It forced me into a box where I had to behave and act a certain way to be accepted. But what happens when you don’t fit that box? What happens when the world rejects you, and your own community does too?

That’s where this EP was born—from my personal fight to be myself, unapologetically, no matter what box people try to put me in. The cat is out of the bag, and I’m done trying to squeeze myself back into a place where I don’t belong.

Charting My Own Path

The Haitian Revolution was a triumph of identity, resilience, and unity. But looking at the leadership that followed, it’s clear that something was lost. The values that made the revolution possible were betrayed or forgotten, and as a result, we find ourselves in a country and a culture grappling with the aftermath.

This EP is my adventure to rediscover those core values—not by being told what they are, but by seeking them out myself. Through reading, reflection, and reasoning, I’m on a journey to understand what made the revolution possible and how those values can be reclaimed in a modern context.

Breaking the Mold

“Have to Be Real” is about breaking free from the constraints of tradition and expectation. It’s about starting over and redefining culture and heritage for myself. That’s why this EP explores a variety of genres—some meaningful, some silly, and all authentic. Life isn’t just one tone; it’s funny, serious, chaotic, and unpredictable. This EP reflects that reality.

The cat is out of the bag. I don’t know where this journey will take me, but I know I can’t go back to who I was or the boxes I tried to fit in.

What You’ll Find in This EP

- A Mix of Genres: From funny to heartfelt, this EP celebrates the full spectrum of life’s experiences.

- Exploration of Identity: Challenging traditional ideas of what it means to be Haitian and Haitian-American in today’s world.

- Freedom and Authenticity: Songs that break the mold and embrace individuality.

This EP isn’t just music—it’s a movement. It’s about being real, starting over, and charting a new path. The cat is out of the bag, and I’m inviting you to join me on this journey. Let’s redefine culture, heritage, and identity—together.